Número 115 Primavera de 2018

Editorial

Raons últimes: les primeres


La raison du plus fort est toujours la meilleure [...]
Sans autre forme de procès.
La Fontaine, «Le loup et l’agneau», Fables, 1, X

Viu capbussat ja de fa temps el país en una situació reductivament expressable en forma de quiasme: el torcebraç sostingut entre la força de les raons i la raó de la força. En aquest desigual combat –i per anar ja sense més preàmbul al moll del que aquí és qüestió– importa tenir clares les raons que avalen la immersió lingüística –i, ja en un estadi superior de docència, la lectura preferent d’obra literària escrita en l’idioma en què aquella s’efectua.

[Més].

...

SUMARI

 

EDITORIAL

Raons últimes: les primeres.

 

ESTUDIS

Roser Casamayor de Bolós, El riure a Les dones i els dies, de Gabriel Ferrater.
Joan Costa Carreras, La nova «tríada normativa» oficial de l’IEC: valoració i reflexions
Moisès Llopis Alarcón; Jaume Subirana Ortín, Francesc Trabal a Xile: activisme cultural trasplantat.

CARTES I DOCUMENTS

Artur Garcia Fuster, «L’eternitat» de Jesús Moncada. Un conte inèdit

Albert Ventura, «Benvolgut amic Triadú»: cartes de Vicenç Riera Llorca (Mèxic 1952 - Catalunya 1987)

RESSENYES

Miquel Batllori, Joan Requesens i Maria Toldrà (cur.), Epistolari català dels Borja, per Laia de Ahumada.

Maria Guasch, Els fills de Llacuna Park, per Artur Garcia Fuster.
Vicenç Pagès Jordà, Robinson, per Pep Sanz Datzira.
Lluís Quintana, Caminar per la vida vella. La memòria involuntària en la literatura i l’art, per Enric Sullà.
Amadeu Viana, Passeres, per Montse Sendra.
Joan-Lluís Lluís, Jo soc aquell que va matar Franco, per Josep Murgades.

 

NOTA SOBRE ELS AUTORS

NORMES DE PRESENTACIÓ D’ORIGINALS

 

ABSTRACT

 

El riure a Les dones i els dies, de Gabriel Ferrater

ROSER CASAMAYOR DE BOLÓS Universitat Barcelona

 

ABSTRACT: Laughter appears in thirty of the one hundred and fourteen poems of Les dones i els dies. This article takes its cue from this profusion of laughs to examine its relation with Ferrater’s conception of poetry. The first part looks at the different ways in which his work has been defined and argues that the most appropriate one is «consciousness poetry». The second part is an in-depth analysis of those poems where laughter features, both in terms of their own comicity and in those of the function laughter performs for the character(s) involved in each case, always bearing in mind the poetic context and the rôle the poetical voice plays.

 

La nova «tríada normativa» oficial de l’IEC: valoració i reflexions

JOAN COSTA CARRERAS Universitat Pompeu Fabra
 

ABSTRACT: We evaluate the Institut d’Estudis Catalans new Catalan grammar and spelling rules, on the assumption that codification of Catalan is a matter of public policy which must be transparent and from the standing points of language corpus planning and grammatography. We also assess their implications for the Institut’s dictionary in its latest version and make some suggestions for improving all three works.

 

Francesc Trabal a Xile: activisme cultural trasplantat

MOISÈS LLOPIS ALARCÓN Pontificia Universidad Católica de Chile - Universidad de Chile; JAUME SUBIRANA ORTÍN Universitat Oberta de Catalunya

 

ABSTRACT: The redefining of the Catalan writer’s functions and social projection which the foremost members of the so-called “Grup de Sabadell” embarked upon in the 1930s had a special continuation in the series of cultural initiatives which Francesc Trabal led from his Chilean exile. This article provides previously unpublished data on Trabal’s relationship with the Chilean PEN Club and on the children’s books publishers Rapa Nui. Both projects were paradigmatic of Trabal’s efforts to carry on with a certain type of cultural and literary activism in spite of the dispersion and the lack of political power attendant on the exiles’ predicament.


«L’eternitat» de Jesús Moncada. Un conte inèdit

ARTUR GARCIA FUSTER Universitat de Zadar

ABSTRACT: An unpublished short story by Jesús Moncada which didn’t appear in his last collection, Calaveres atònites. It is preceded by an introduction explaining how the story was found, placing it within the context of Moncada’s work, analysing its main features and suggesting some reasons why it was never published.


«Benvolgut amic Triadú»: cartes de Vicenç Riera Llorca (Mèxic 1952 - Catalunya 1987)

ALBERT VENTURA Universitat Rovira i Virgili

ABSTRACT: Letters from Vicenç Riera Llorca to Joan Triadú, showing Riera’s cultural activities since his return from exile and opening windows on to his literary world: internal action tempos, character creation and the link between historical reality and narrative fiction.